Mystery Caps Identified
In my tone cap material types comparison, there were a couple vintage caps which I couldn’t identify. I referred to them anonymously as the Yellow Cylinder and the Fat Gray Cylinder.
Today, a kind gentleman by the name of Bill Zumwalt was able to give me the clues I needed to track these old caps down and unmask their true identities. The search keywords I needed were CDE and Mustard! More
Winding and Potting Pickups

I came across this great web page on making your own pickups, using parts from Stewart-MacDonald.
He’s got a nice pictorial, as well as a video showing the process, beginning to end.

He made another really nice winder with a vintage sewing machine. Sweet!
I’ve seen many web pages before about making pickups, but I just like this guy’s style, creativity and presentation. Well done!
Inspiring project. I gotta try this some day!
Update: Brainrender’s site seems to have gone, but the videos are still available on youtube.
Oh, For the Love of an AC15

My usual session amp, a late-eighties solid-state Fender Stage 185, is increasingly unsatisfying to play- seems I can never find the right level of brightness in a band setting. Cranking up the presence, or tweaking the treble tends to make it harsh before it becomes pleasant. The clean channel is pretty nice, but the drive/boost channel tends to feel a bit fizzy.

I also really like the ability to kick in extra gain with the new hot/cool foot switch, and the the OP mode switch to drop to 7.5W for nighttime playing.
The only things missing from the hand-wired series are the tremolo and reverb. One tune in yesterday’s session, Glen Phillips’ excellent laid back version of I Want A New Drug, calls for a bit of tremolo- but every time I tried kicking in the AC15C1’s trem, I just found it distracting and reached back to flick down the knob- perhaps I was just overdoing it, but I think I can probably live without it :) And while the AC15C1’s reverb is very warm, smooth and pleasant- I rarely use reverb. And I must say, if you turn the verb knob up over about 10%, it just sounds huuuuge, like you’re playing inside a water tower.
Warning- explicit photos follow:
Full disclosure- I work for Korg R&D, which owns Vox. So perhaps I’m a little biased towards Vox, over other alternatives (employee discount, woo-hoo!)
UPDATE 3/22/2011: I did eventually buy that AC15HW1, and it is a thing of beauty. I borrowed Chuck’s AC15C1 again and made a video comparing the two.
Humbucker Wiring

First, refer to this great color chart, courtesy of Seymour Duncan (at right). If your pickup manufacturer isn’t on this list, try this StewMac pickup color codes page, which includes Fralin, Barden, etc. Another option is this color code chart at Guitar Electronics.
If your pickup doesn’t seem to match any of these color code charts, you can use the techniques described in this FAQ by Tim Stanley on identifying the wires using a multimeter.
Once you know which wire is North Start and Finish, and South Start and Finish, then you can refer to the humbucker circuit diagrams at GuitarElectronics.com. They have every variation imaginable, with coil tapping, push pulls, series/parallel, 3-way levers, 5-way levers, etc.
Here’s a typical Gibson wiring with 2 volume, 2 tone and a 3-way toggle switch:
Understanding Circuit Diagrams
I know, circuit diagrams can get really confusing. This has all the answers:
Image courtesy of the comedic genius of xkcd


