On Monday after work, I headed for the hills with my guitar and camera, hoping to get a few good shots for my newly redesigned website. I raced up the steep, overgrown path to reach the top in time for golden hour. We’ve had a lot of rain this year and the hillside was unusually lush and green. More
- Gear Diary
- Guitar Circuit Wiring
- Guitar Potentiometers
- Guitar Preamp Cable
- Guitar Tone Capacitors
- Guitar Treble Bleed
- Pedal Building
- Photo and Video
- Semi-Hollowbody Electronics
- VOX AC15
I’ve been so busy with work and my band that I’ve neglected this blog for a loooong time. I’ve posted gig updates and not much else. However, I have accumulated tons of draft posts and notes over the last 3 years that I never published, just for lack of time and focus to get em done. The longer I waited and further behind I got, the harder it became to commit to doing the work to catch up. More
[Update 10/11/2012: What a relief! All my old YouTube comments appear to have been restored successfully. Thanks to the YouTube team for correcting the situation so promptly.]
[Update 10/10/2012: Some news: I received an email from the youtube team saying “A small number of YouTube users may have had their comments deleted as a result of an error on our part”. They sent a link to a reinstatement form, which I submitted, and I now wait with fingers crossed for a speedy and successful recovery. Here’s a link to that form, if you feel you’ve also been affected by this issue!]
Today I noticed something completely depressing! I was looking back at some older comments on one of my videos and I noticed that none of my comments were there. When I clicked on someone’s reply to one of my comments “in reply to John Cooper (Show the comment)”, it popped up a dialog saying “The comment no longer exists”.
Rhymes with Guitar World!
Our singer, Laura Whitmore, has been writing a blog at Guitar World for about a year now. Lately she’s been writing about her transition from playing acoustic guitar to playing electric in our band, The Summer Music Project.
Funny that, for this brief moment, our little band is on the front page of Guitar World!
She included a video of us playing her song “Don’t Take it Easy”. The audio is really bad, as we were using the built-in camera mic, from the back of the hall about 50 feet away. Unfortunately, my Tascam DR-40 digital recorder was sitting in standby for the whole show- gotta press record TWICE damnit! I of course wish I could hear my guitar better, but the important thing in this video is that we can hear Laura reasonably well.
Here’s that video:
It seems not that long ago, I was celebrating 100,000 views. Now, I don’t regularly check and obsess over my YouTube channel view-count. But this week, while trying to catch up on my replies to an ever-increasing backlog on my YouTube inbox, I noticed that my view count was in the high nines. Well, this morning, this is what I saw:
This is truly a mind-bender.
I recorded a quick video to say thanks to everyone, and to solicit some feedback for my future projects. I also talk a bit at the end about Jerry Seinfeld’s motivational technique for tricking yourself into getting things done. Don’t Break The Chain!
After several emails back and forth with the YouTube Copyright and DMCA compliance team, their primary message was:
Please note that YouTube does not mediate copyright disputes
Thanks very much. I got that. I repeatedly asked “What’s my recourse if the copyright claimant has mistakenly confirmed their claim to my content?” They simply wouldn’t answer my question. “YouTube does not mediate copyright disputes” is all I could get.
Finally, they sent over an email address of a specific person at Spinnin Records. I wrote yet another email to this guy, trying to be polite despite my frustration after all the emails and messages I had already sent. And this morning I was rewarded with a quick mildly apologetic reply that they had released their claim on my video. Thank you!
However, seriously, WTF?! I can understand that false positives are inevitable with an automated content-ID matching system. However, the official process of disputing the claim on YouTube is obviously deeply flawed if the claimant can simply press a button and now “All content owners have reviewed your video and confirmed their claims”.
This took me a week to get resolved, during which time Spinnin Records was earning income from my work. Both the content-ID matching system, and the official YouTube process for disputing the claim all completely failed.
Does this actually provide any protection to the content that I create? Or am I kidding myself?
Astonishingly, the status on my copyright claim dispute now says:
All content owners have reviewed your video and confirmed their claims to some or all of its content: Entity: Spinnin’ Records Content Type: Visual content
Really?! Somebody at Spinnin’ Records took the time to watch my video and confirmed that they own some part of my 10 minute production? That’s preposterous. More like “Cha-ching, another sucker whose video we can hijack for our monetary gain!” What motivation do they have to make it right, when YouTube offers no recourse to the creator (me), and all power goes to the copyright claimant (them) who can just sit back, relax, and make money from other people’s efforts.
I’ve emailed Spinnin Records, and sent a message through YouTube to user “SpinningRec”. No response. Meanwhile, my video now has an advertisement and link to buy some Guy’s song “Quantum”. So they’re receiving ad and click income from my work.
On the one hand, we’re not talking about millions of $$$ here. On the other, it simply feels unbelievably unfair, and that I am being wronged here. It’s hard not to feel a bit like David vs Goliath.
I found this website run by a law student with an interest in copyright law. Clearly I’m not alone in this. I particularly like his paper Why YouTube’s Content ID dispute process does not work the way YouTube says it does.
Last night, I received this rather nefarious “content ID match” email from the youtube content-matching bots:
Your video, Simple JFET Preamp for an iDevice guitar Interface, part 2, may have content that is owned or licensed by Spinnin’ Records.
No action is required on your part; however, if you are interested in learning how this affects your video, please visit the Content ID Matches section of your account for more information.
– The YouTube Team
If I’m reading that right, they’re saying that if I don’t do anything, the guys at Spinnin’ Records can hijack and monetize my video, and start making money from my work. Niiiiice!
I’m generally very careful in my videos to avoid copyright issues. My intro/outro music is all composed and performed by me. And the guitar riffs I play are usually just improvisations or noodling, or perhaps inspired by another song (as with the riff inspired by Faces’ Had Me A Real Good Time at the beginning of my K-Tone Travel Guitar review).
Very occasionally, I’ll play a short riff by another artist, but this should be covered under fair use. For example, I played a bit of Weezer’s Say It Ain’t So in my treble bleed video, and a riff from Oasis’ Champagne Supernova in my AC15 cabinets video.